He venydo a reclamar my trono

by PYLAR

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He venydo a reclamar my trono 46:48

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1 Track - 46:48
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Segundo lanzamiento discográfico del colectivo PYLAR que nos entrega su particular adaptación de una parte del poema épico contenido en las famosas tablillas libias de Anat. En concreto aquellos versos que relatan la huida de la Triple Diosa Oriental hacia Occidente. Un viaje anamnésico cuyo fondo narrativo sería la llegada de la cultura fenicia al territorio Atlántico en torno al siglo X a.c.

El disco, que consiste en un solo y extenso tema, propone al oyente la posibilidad de revivir un episodio de hace más de tres mil años. Donde destaca el trasfondo de las tensiones entre una forma de percibir el mundo encarnado por la Triple Diosa y la cosmovisión de los pujantes dioses solares que acabarían por desplazarla.

Estamos ante otra nueva manifestación en la que PYLAR vuelve a curvar el tiempo lineal, creando otro nudo más de tiempo liminal a través del uso correcto de diferentes capas de simbología, las cuales irán desvelándose con las escuchas y la contemplación.

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Second album release from the PYLAR collective that offers their particular adaptation of the epic poem contained in the famous Libyan tablets of Anat. Specifically those verses that tell the journey of the Triple Goddess from East to West. An anamnestic trip whose narrative fund would be the arrival of the Phoenician culture to the Atlantic territory around the tenth century BC.

The album, consisting of a single track , proposes the listener the chance to relive an episode of more than three thousand years ago, which highlights the backdrop of tensions between a way of perceiving the world embodied by the Triple Goddess and the worldview of the burgeoning solar gods that would eventually displace.

We are facing a new demonstration in which PYLAR returns to bend the linear time creating another point of liminal time through the correct use of different layers of symbolism that will show along with listens and contemplation.

Pylar have seen fit to make this a single, 45-minute epic. (Ninehertz) www.ninehertz.co.uk/viewitem/4612

"... this record is a must-have." (CVLT NATION) www.cvltnation.com/cvlt-nation-streaming-pylar-he-venydo-a-reclamar-my-trono/

I feel compelled to share it with you now, sans description. I wouldn’t want to spoil the surprises. (NO CLEAN SINGING) www.nocleansinging.com/2015/05/05/seen-and-heard-gespenst-orthodox-pylar-arch-enemy/

"... un disco que reúne lo que para mí sería esencial para pertenecer a esas obras que perduran en los tiempos." (NIÑO DE ELCHE) www.elconfidencial.com/cultura/2015-12-29/musica-discos-lo-mejores-discos-de-2015-calamaro_1128013/

Entre los mejores discos de 2015: "Un trabajo conceptual casi perfecto..." (ROCKZONE MAG) issuu.com/rockzonemag/docs/rz121/123?e=9896375/32296115 (pág. 63)

Entre los mejores discos de 2015: (BLISSTOPIC) www.blisstopic.com/articulos/item/5030-los-mejores-discos-nacionales-de-2015-blisstopic

Entre los mejores discos de 2015: (STAF MAGAZINE) stafmagazine.com/news/top-2015-discos-internacionales/

"Pylar han logrado construir una epopeya" (HIPERSONICA) www.hipersonica.com/2015/06/pylar-he-venido-a-reclamar-my-trono/

"... una de las más brutales obras épicas que se han parido en nuestras fronteras." (LA MUERTE TENÍA UN BLOG) lamuerteteniaunblog.blogspot.com.es/2015/05/pylar-he-venydo-reclamar-my-trono.html

credits

released May 2, 2015

Grabado en los ignotos territorios de los atlantes en Estudios La Mina por el Maestro Alquímico cuando la primera luna llena detrás el solsticio donde el sol es derrotado declinaba en el décimo quinto año del tercer milenio de la Era Común.

Producido por PYLAR.

Música compuesta por PYLAR.

La portada y dibujos del interior son artefactos de Gamaheo.

El “Himno a la Diosa Madre” es un artefacto de LenguaDeCarpa.

Maquetación de textos sagrados por el Señor Gómez & Srta. Swallow.

HE VENYDO A RECLAMAR MY TRONO (Bar-Gal, LenguaDeCarpa, Trarames, Gamaheo)

Gamaheo: batería marítima, percusiones, columnas y pylares, telurismo, concepción
Trarames: trompa, leviatanes, espíritus del bosque, notas madre, música de las esferas
LenguaDeCarpa: voces, Sacerdotisa, escritura protoneolítica, isla oracular, alfabetos ignotos, lenguaje de los árboles
Bar-Gal: guitarras, teclado, percusiones, metal atlante, matriarcado, umbrales, Ouróboros
Ahk Phypro: Voz del Herrero, liturgia, invocación de los 4 elementos
II III II III: sintetizador, fuerzas elementales
Cantos de la Madre: Iniciados del NUMINOSO CÍRCULO ATLANTE (Adeptus Gebacken, Reo Paramaeco, Flewotomo de Asclepia, Lagrab, Reivax, EVAAAVE, Yohanan)
EVAAAVE: Voz y risa de la Diosa
¡Contemplad y recordad!

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about

PYLAR Sevilla, Spain

PYLAR is made up of several hyerophants, shamans, and druids. It is thought that there are members of the mighty Orthodox and the magnificent Blooming Látigo among them.

They mix song, dance and invocations in their perfomances, as if these were ceremonies whith the objective of awakening tellurian forces which have been lying dormant since the Ancient Times. ... more

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